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  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

George Michael

By Ray Cummings

Published on July 02, 2008

Dolly Parton, Mariah Carey, Andrew Lloyd Webber, Neil Diamond, oh my! This latest season of American Idol—which culminated in a dispiritingly predictable David vs. David showdown, remember—was reliably heavy on star power. Yet the only memorable performance arrived during the season finale, when a dapper, subdued George Michael emerged for a few precious moments to make Paula Abdul weep and remind America why, exactly, we used to worship him. Foregoing his big pop hits—the bodacious, scandalous "I Want Your Sex," say, or the subsequently mangled-by-Fred Durst "Faith"—the British crooner brought down the house with a rendition of his 1990 ballad "Praying for Time" that effortlessly put everyone who'd taken the same stage before him to shame. Don't believe me? YouTube it en route to buying your ticket.
Mon., July 7, 8 p.m., 2008



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