The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.
South Florida's lawless exotic rental car industry keeps rolling.
In Texas, restitution for victims is nothing but a state-sanctioned sham.
If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.
A Frames are the best robot comedians ever--even Short Circuit's Number 5 in peak form ("Hey Laserlips! Your momma was a snowblower!") can't approach the hilarity of their alternately technophobic and technomanic lyrics like "Super infection/You're in my vein/Thyroid injection/Andromeda strain" from the album opener "Modula." Delivered with a conviction that confirms the solvency of frontman (yes, man) Erin Sullivan's earnestness microchip, 2 is Ted Kaczynski's cabin-fevered rants set to Kraftwerk gone punk, or else it's how a computer must feel as a virus takes hold, each byte slowly succumbing to CP euthanasia.
Technology is all they sing about, but it's unclear exactly how A Frames feel about it. Both 2 and the Seattle trio's self-titled 2k2 debut deal exclusively in Scientific American technospeak, but A Frames reappropriate the geek jargon to matters of the flesh. In "Surveillance," from their first record, Sullivan gently caresses a security camera with loving couplets, and in the 2 standout "Sensation," he confusedly laments, "I've got sensation/Something living in me/Sensation, I don't know how to see/Sensation, I want to feel it again/Sensation that I don't understand," as if his body is rejecting a transplanted organ. Or maybe he's talking about the side effects of that Blaster worm inside him--or else he's just R2D2 asking, "If you prick me, do I not bleed?" No, R2, you leak.
Yet for all the so-serious-it's-goofy posturing and roboticness of 2, the music that A Frames play--pounding (drummer Lars Finberg has Shellac's patented drop beat down pat), aggressive, and mechanical--divulges a sense of tender femininity as Sullivan's voice at times sounds positively Ian Curtis-like. Not to mention that the overly linear guitar riffing apes the Fall playing a hoedown--or maybe just the Country Teasers. Do-si-do, it ain't all ones and zeros. Clangy, perverse, jolting, groovy, mournful, bewildered--all of these words together equal 2, and the square root of 2 is 1.41421356, and multiply that by 15 (the number of tracks) and you've got yourself a damned good time.